DJI Osmo Mobile 3 Setup & Review

DJI Osmo Mobile 3 Setup & Review

While shooting with the DJI Ronin MX, we were also playing around with the DJI Osmo Mobile 3 setup. Given its price and the buzz around, we had to get one to use for shooting our b-roll and for just playing around. And we love it. Manu shows how to balance it, a couple of apps to shoot with, a dual-camera setup to demonstrate how steady it works and more.

Ronin MX Canon C100 Mark II

Ronin MX Canon C100 Mark II

Ronin Mx Canon C100 Mark II. Do they work together and if so are their any considerations to keep in mind? How does it compare to using a mechanical stabilizer like the Steadicam or the Glidecam?

We show you how to set up and balance a C100 MkII on the two modes of the Ronin MX (Underslung and Upright mode), tricks to using the DJI App for your setup, and what tips and tricks you need to know to make it work well for your stabilized shots.

Framing Techniques In Film & Video

Framing Techniques In Film & Video

Framing techniques in film and video usually focus on composition and the 1/3 rule. But what about guiding the viewer's focus in the frame? What about all that other stuff vying for their attention?

What are different ways in your frame to guide the viewer's focus, their attention, to what you want? And how do you avoid objects stealing focus? We look at ways using composition, detail and lighting/contrast.

Blur Faces In Video Adobe Premiere: Tracking Movement with Ease

Blur Faces In Video Adobe Premiere: Tracking Movement with Ease

You want to blur faces in a video using Adobe Premiere Pro but how do you track the person if they're moving? Manu shows you how to create and adjust a mosaic to blur out a person or an object's identity and how to let Premiere easily track their movement for you (no key-framing!). He also covers how to create the time-honored black Charlie bar.

Shoot an Interview: without Lights and with Good Audio

Shoot an Interview: without Lights and with Good Audio

You need to shoot an interview. Maybe it’s for a documentary, a client video, a youtube video. How do you do it? Maybe you’ll shoot them in their house? Their office? Outside? Do you need lights? And what about the audio? What if you don’t know much about lighting or audio? What do you do?

We’ll show you the two most important tips on how to shoot without lights and how to get great audio.